By Andrew MorrisTuesday 16 Aug 2016The Big PictureCultureReading Time: 2 minutes
The eighth Harry Potter story has arrived in print, set 19 years after The Deathly Hallows. Harry is now a father of three and in charge of the Ministry of Magic’s Department of Magical Defence. Rumours have emerged that Voldemort had a daughter, and our wizarding hero is struggling to uncover the truth, but what is claiming most of his attention is the teenage rebellion of his son Albus – who has found himself a place in Slytherin House.
RATED: PG
AUDIENCE: This is one for the fans – there’s just so many references to the Hogwarts Universe, you’ll be lost without a thorough knowledge of the previous books. Most specifically, it’s for adults. The plot line is very much about Harry’s struggles as a parent and lacking much of the magical fun that enchanted kids of previous generations.
WHAT’S GOOD: It’s good to see Harry back.
WHAT’S NOT: Firstly, this is not a novel it’s a play. Secondly, it’s not written by J.K.Rowling, but playwright Jack Thorne. Thirdly, it’s not very good. This book reads like fan-fiction – treacly examination of ‘what might have been’ situations that depend upon a very dubious use of time-travel. Finally, there’s nothing terribly new. Everything is derivative of Rowling’s previous works, right down to resurrecting characters that were dead but now pop back for surprise appearances. Imagine a popular TV series’ Christmas retrospective and then publish it as a book.
SPIRITUALLY SPEAKING: All of the lessons relate very much to parenting, and there is a strong message regarding the power of our words as mums and dads. Harry learns that how he speaks to his kids can have profound implications. It underlines the book of James’ warning that our words should be true, necessary and kind.
RELEASE DATE: Available in selected book stores